Cultural prose: Appreciation of MAO Zedong’s poetry layout

2022-05-07 0 By

One is the comprehensive layout.This is the layout of the most functional value of classical poetry, which integrates the transition and juxtaposition of the balanced layout, interlocking and echoing.MAO Zedong, the great poet, standard layout of poetry inheritance, take “The Long March of Seven Rules” as an example: “The Red Army is not afraid of the expedition difficult, long rivers and mountains only leisurely.Wuling meandering teng small waves, Wumeng majestic walk mud pills.Jinsha water shot yunya warm, dadu bridge horizontal iron cold.More xi Minshan Li snow, after all the three armies.”The poem is the first line of the whole poem is “up” : “the Red Army is not afraid of the expedition difficult, long march only leisurely.”Heroic language potential, strategically, highly summarizes the red Army long March fearless heroic spirit.Bearing is special for layout keynote.”Wuling meandering teng small waves, Wumeng majestic walk mud pills.”The scene is linked, majestic momentum flow is “bearing.”Then is “turn” : “Jinsha water beat yuncliff warm, dadu bridge horizontal iron cold.”Can let the reader feel before and after echo and interaction.The conclusion is “together” : “more xi Minshan Li snow, after all the three armies.”The whole poem fully embodies the structural and morphological characteristics of classical poetry “winding and looping”.Comprehensive layout, starting and turning, twists and turns, integrated.Then take Li Bai’s poem “Looking at lushan Waterfall” as an example: “Sunshine censer gives birth to purple smoke, looking at the waterfall hanging from afar.Flying down three thousand feet, suspected is the Milky Way nine days.”The first sentence is about the incense burner Peak under the sun, the second sentence is about the waterfall in front of the mountain, the third sentence is about the waterfall soaring down the momentum, and the fourth sentence is about the aesthetic feeling of trance.Comprehensive layout, full full;The overall structure, the spirit turns smoothly, the quandary.Two two is the corresponding layout.This is a kind of similarity between two kinds of things, objects, through the corresponding layout, to achieve the effect of artistic conception assimilation, so as to deepen the artistic conception.Wang Wei’s “Mountain House Autumn Eve” for example: “After the new rain in the empty mountain, the weather comes late in autumn.According to the moon pine, clear spring stone upper stream.”The bright moon from the pine gap sprinkled clear light, clear spring water gurgling on the rocks.The bright moon and the clear spring have “flow” similar, the bright moon is the flow of light in the pines, the clear spring is the flow of water on the stone.MAO Zedong’s poem “16 words to three as an example” : “First, the mountain, the fast horse whip not off the saddle.Looking back, three feet from the sky.Second, mountains, overturned rivers roll huge waves.Galloping fast, ten thousand horse battle.Third, mountain, Pierce qingtian ‘e not residual.Heaven falls, rely on the meantime.”The three poems are all arranged in a corresponding way, which achieves the effect of artistic conception assimilation by virtue of the similarity between the two kinds of events and objects.”Third, the mountains, overturned rivers and huge waves.Galloping fast, ten thousand horses are in full battle.”The ups and downs of the mountains are similar to sea surges, and similar to ten thousand horses galloping, to achieve the effect of artistic conception assimilation.The corresponding layout is placed under the internal constraints of equilibrium and harmony, so that the structure can obtain the aesthetic effect of natural stretch like flowing clouds and rivers.Three-three is a balanced symmetrical layout.This is a kind of generalized symmetrical layout, centering on the artistic conception and theme of the whole poem.Take Li Shangyin’s Chang ‘e as an example: “Mica screen with deep candle shadow, the river gradually falls and the morning star sinks.Chang e should regret stealing elixir, blue sea qingtian heart every night.”This poem is entitled “Chang ‘e”, in fact, the poet is expressing the feelings of the lonely environment, rich in implication, low mood.Balanced and symmetrical layout, the whole poem “lonely situation” as the artistic conception of the central axis, image key words: “deep shadow” and “dawn star sinking”.Balanced symmetrical layout, the whole poem layout around the theme of artistic conception, can be MAO Zedong “Qinyuan Spring. Changsha” for example: “independent cold autumn, Xiangjiang North, Orange Island head.See wanshan red, all dyed;They are thriving.Eagles strike the sky, fish hang shallow, all kinds of frosty day race free.Who is the master of the ebb and flow of boundless earth?Brought to 100 have swim, recall the past eventful years thick.Just the students young, in their prime;Scholarly spirit, violent party.Pointing jiangshan, inspire the text, when the dung wanhu.Ever remember, to the middle of the water, waves to suppress the boat?”The layout of the poem is centered on the theme of the poem: “Boundless, I ask the vast earth, who is the master of the ups and downs?”Then, poetry brings together time and space, situation, illusion and movement: “Memories of the past are thick.Just the students young, in their prime “, to achieve the aesthetic pursuit of structural layout: “ever remember, to the middle of the water, waves to suppress the boat?”To answer the question, “Who does it?”The theme of The Times, expressed the poet’s great ambition, expressed that the fate of the motherland is the brave Chinese people.